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Awa Dance(Awa Odori)
The Awa Dance has become known throughout the world as one of Japan's representative traditional performances.The origins of this popular dance can be traced back to 1586, when the Tokushima Domain was first founded by Hachisuka Iemasa. It is known as an era when indigo dye, salt, and other valuable items were accumulated in large amounts. Indigo merchants would contribute to the Awa Dance to make it an even more spectacular event every year.This lead to the dance becoming established amongst regular society, starting as a free-form of mass entertainment. It continued to develop through being performed at the end of battles as a striking way to signify revival.
The Awa Dance: Japan's Representative Traditional Performance

Tokushima City's "Awa Dance" is the largest in Japan!

The Awa Dance is not limited to Tokushima Prefecture, and is performed throughout Japan. However Tokushima City can boast that its Awa Dance is the largest in scale in Japan.
The main dance is performed over 4 days between August 12 and 15, but before the dance itself, the "Awa Dance Evening Selection Festival" is held on the 11th. During the event period itself an "Awa Dance Selection" event is held at noon, with the Awa Dance itself being held on stage in the evening, giving visitors plenty of opportunities to enjoy the dance.

The Awa Odori Kaikan lets visitors enjoy the Awa Dance every day!

The Awa Odori Kaikan is a tourist attraction that gives visitors the opportunity to enjoy the Awa Dance year-round.
The building itself is uniquely shaped like an inverted trapezoid, with a paper lantern motif. Noon performances feature the "Awa-no-kaze" dance troupe, which only performs there. Evening performances feature stage performances by the famous "Yumeiren" with guests able to join in the dancing.
The facility also features an Awa Dance Museum, where visitors can learn about the history of the dance, and "Arudeyo Tokushima" which features a variety of local souvenirs. The Mt. Bizan Ropeway Station is also located in the same building.
Address: 2-20 Shinmachibashi, Tokushima City
Tel: 088-611-1611

The Origins of the Awa Dance

There are 3 theories as to the origins of the Awa Dance.

- The Castle Construction Theory
This theory states that the dance originates from a celebration by local people, performed after the construction of Tokushima Castle, ordered by Hachisuka Iemasa, was completed in 1587.

- The Furyu Dance Theory
The Awa Dance's peculiar trait of being performed by multiple different groups is said to have been influenced by the Furyu dance, said itself to be the origin of Noh plays. In the Miyoshiki record written in 1663, there is evidence that Sogo Nagayasu (also pronounced Masayasu) held a Furyu dance at Shozui Castle in 1578, and this is believed to be the start of the Awa Dance.

- The Bon Dance Theory
The Awa Dance is held in the 7th month of the ancient Japanese unisolar calendar, at the same time as the Bon dance. The Bon Dance is said to have lead to the unique Niwaka and Kumiodori Dances.

Awa Dance Dictionary

To allow visitors to gain a greater appreciation and enjoyment of the dance, we have collected some commonly used terms and their meanings below.

Ren

One of the individual groups of dancers in the Awa Dance.
These groups include both the famous and long-standing Yumeiren, as well as a diversity of other "rens" consisting of company employees and students etc. In total there are more than 1,000 participants in the dance.

Zomeki

The Awa Dance's cheerful duple time rhythm is known as "zomeki". It also means "boisterous", and implies a dance that is both showy and lively.

Yoshikono

The song that is sung during the Awa Dance. A popular late-Edo Period folk song, it is said to have originated from the Haiya melody from Ushibuka in Kumamoto, and the Itako melody from Hitachi. Indigo merchants are said to have brought the song to Awa from Kyoto and Osaka.

Yattosa

At the start of the dance and throughout, a dancer will yell out "Yattosa!" with the others replying "A, yatto, yatto!". This is believed to have originated from the Nagoya dialect term "Yattokame" which means "It's been a while, how are you?"

Takahari Chochin

At the front of every "ren" are two paper lanterns held on a long bamboo pole. This has the role of regulating the forward speed of the dancers, but is often blown about by the wind, and so requires a lot of strength to hold.

Torioigasa

The hats (kasa) that female dancers wear used to be a variety of shapes, but the Torioigasa became popular from the middle of the Taisho Period (1912 - 1926). Torioigasa literally means "bird scaring hat" and were originally designed to completely hide the wearer's face, while scaring birds from the fields. Pulling the hat down over one's eyes while only partially hiding one's face gives wearers a refined and bewitching look.